![]() He sent several people to visit her on his behalf and in 1619 she performed for one of his servants a musical rendition of a passage from L’Ester, a performance of which Don Harran has offered a hypothetical reconstruction. Although they never implemented plans to meet, they exchanged pictures, sonnets-written by Sarra and others-and gifts. This correspondence continued, becoming more literary and polemical as well as titillating. He replied that he wished to continue to correspond with her and that he hoped to turn her to Christianity. In May 1618, after reading L’Ester, an Italian drama by the Genoese monk and author Ansaldo Cebà (1565–1623), Copia Sullam wrote him of her admiration and spiritual love for him, reporting that she carried his book with her and slept with it under her pillow. Others also died and it does not seem that the couple had any surviving children. Their first child died as an infant in 1615. At some time between 16 she married Jacob Sullam, a prominent Jewish communal leader and businessman in Venice. ![]() Most accounts exaggerate her education, stress her physical beauty and comment on her blond hair, about which there is little evidence. Sarra received an education that included instruction in at least the basics of Jewish and Italian culture. Her sisters were Rachel (Diana) and Esther (Ster). 1606) and Ricca Copia, a prominent Italian Jewish family in Venice. Sarra was one of three daughters born to a Simon (d. The details of her life reveal the great opportunities and potential dangers in the life of at least one woman of wealth and talent. ![]() The most accomplished, and thus the least typical, Jewish woman writer of early-modern Italy was Sarra Copia Sullam (c. ![]()
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